
Pedro Borges
Pedro Borges is a Brazilian-American writer and director raised in New York. A New York Film Academy BFA graduate, he co-founded Kitchen Films and works across short films, music videos and visual poetry.
Explore their workOne final night. A film by Pedro Borges.
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Two women try to celebrate the end of a five-year relationship on a desert getaway, but one final bid for intimacy forces them to confront the roles that kept them together.
A week after breaking up, two women retreat to a desert house, hoping to celebrate almost five years together and begin again as friends. Familiar gestures and a renewed attempt at intimacy expose feelings neither has left behind.
Across a poolside afternoon, sunset, and a night around the fire, the story asks what happens when caring for someone becomes the way we understand ourselves—and whether compassion can survive separation.

Pedro Borges is a Brazilian-American writer and director raised in New York. A New York Film Academy BFA graduate, he co-founded Kitchen Films and works across short films, music videos and visual poetry.
Explore their workRead Pedro Borges’ screenplay, then revisit the film. Five pages of story trace the small gestures, silences, and conversations of one final night together.
PDF · 6 pages including cover · Contains story spoilers
Screenplay cover

EVENTUALLY Written by Pedro Borges
From the shoot: the last light, the cast, and the people behind the frame. Open any photo for a closer look.

Kayla Marie Coates is an actor and filmmaker. Their short I’ll Bee There credits them as writer, director, producer and lead; the project was developed through their production company, DITI Pictures.
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Devin Ketko also works under the name Devin McGregor Ketko. Their screen credits include Room 37: The Mysterious Death of Johnny Thunders, released by Cleopatra Entertainment.
Explore their workA closer reading of the screenplay and its visual world. These notes discuss the story’s ending.
Kira and Amaya begin at opposite ends of the pool, then move close enough to kiss. The changing distance between them makes their emotional uncertainty physical.
Read screenplay page 1The scene headings move from day through dusk, twilight, and night into morning. The changing light gives their farewell a quiet visual progression.
Explore the screenplaySeparate bedrooms lead to separate cars. In the final image, the two women take opposite roads—a simple visual expression of learning to move forward apart.
Read the final pageSelected film stills, from the warmth of the fire to the open space of the desert.
Release and profile information is drawn from the sources below. Photo sources are credited alongside the images.
See the story come to life.
Watch the film on YouTube